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- Stone8
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Accent Stones Ruby Ring 2.64 Ct., 18K Yellow Gold
Wax Polymer Replica
Model of your Completed
Setting Design!

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Item ID: | R15164 |
|---|---|
Dimensions (MM): help | Length: 12.23 Width: 6.47 Height: 4.33 |
Weight: | 2.64 Ct. |
Color: help | Red |
Color intensity: help | Intense |
Clarity: help | Included |
Shape: help | Marquise |
Cut: | Mixed Brilliant |
Cutting style: | Faceted |
Enhancements: help | Heat Treated |
Origin: help | Mozambique |
Per carat price: help | $950 |
This ring centers a transparent marquise shape ruby weighing 2.64 carats, with measured dimensions of 12.23 by 6.47 by 4.33 millimeters, cut in a mixed brilliant faceting style. The mixed brilliant cut combines pavilion and crown facets intended to optimize scintillation and color return, and the stone exhibits intense color saturation with an excellent polish. Clarity has been graded as included at eye level, a characteristic that is common in natural rubies and that emphasizes the stone's authenticity and origin. This ruby is sourced from Mozambique, and its deep, even tone and internal characteristics are consistent with material from that region. The marquise profile presents an elongated silhouette that accentuates finger length and offers a distinct, classical presence when viewed in hand.
Flanking the ruby are carefully selected natural white diamonds in two complementary shapes. Each side features a white half moon shaped diamond set to frame the shoulders of the marquise, with combined approximate weight of 0.40 carats, and clarity grades of Very Slightly Included in the VS1 to VS2 range, with a color grade of F. Additional tapered baguette white diamonds are integrated along the shoulders, with a combined approximate weight of 0.18 carats, and matching clarity and color parameters. The half moon and tapered baguette diamonds are chosen for their ability to interact with the ruby, providing contrast in geometry and light return, while the F color grade ensures minimal color influence against the yellow gold setting and the ruby center. The selection balances brilliance and contrast, preserving the ruby as the focal point while adding refined, directional sparkle.
The mounting is executed entirely in 18 karat yellow gold, with a raised gallery and a refined open work that allows light to reach the pavilion facets of the marquise. The prong based crown secures the center stone while leaving flank visibility, and the tapering shoulders flow into the baguette settings, providing visual continuity and structural balance. This approach to setting echoes several historical design precedents. The marquise center evokes an eighteenth century French aesthetic, when elongated navette forms were favored for court jewels and portrait jewelry. The open gallery and elevated profile recall Victorian and Edwardian era mountings, where height and undergallery work were used to showcase stone depth and to allow candlelight to animate gem color. The use of tapered baguette and half moon side stones, set to emphasize symmetry and linearity, channels the Art Deco preference for geometric contrast and refined architectural placement, as seen in notable early twentieth century pieces.
Craftsmanship and finishing emphasize proportion, durability, and optical performance. The excellent polish reported for the ruby contributes to surface luster, and the chosen diamond clarities and color grades ensure consistent white light return without introducing visual distractions. The 18 karat yellow gold serves both as a warm color foil to the ruby and as a robust structural metal, suitable for prong work and the fine bridging of the gallery. The design is suitable for daily wear with standard precautions for colored gemstones, including periodic inspection of the prongs and avoidance of harsh chemicals and extreme knocks. This ring is presented by The Natural Ruby Company, and it reflects a measured approach to gem selection and historical reference, combining a Mozambique marquise ruby of notable color and polish with precise diamond accents and a considered gold setting, resulting in a piece that is both classically informed and technically resolved.















































